Concordia Discors vs. Discordia Concors
type: channel
description: International Journal for Researches into Comparative Literature, Contrastive Linguistics, Cross-Cultural and Translation Strategies
publisher: Editura Universității „Ștefan cel Mare” din Suceava
language: en
publication name: Concordia Discors vs. Discordia Concors
issn: 2065-4057
items: Ciprian POPA, Limba italiană. Gramatică & Exerciţii, Suceava, Editura Universităţii “Ştefan cel Mare”, 2015, 197 p.
items: The Unfathomable Sea
items: A Multidisciplinary Approach to the Actor’s Active Listening
items: Eugenio Coseriu, Tempo e linguaggio: un’analisi della traduzione in romeno
items: Ambiguitatea, un “rău necesar” şi savuros în generarea comicului lingvistic
items: Ratio vs credo sau ratio et credo în textul Vechiului Testament. O perspectivă filosofico-religioasă
items: Hybrid Topologies of the Self
items: L’histoire de la vraie Jeanne la Pucelle, du Moyen Âge à Matéi Visniec
items: Conduita suicidară sau puntea spre înrobitoarea dezrobire în Asuntos de un hidalgo disoluto de Héctor Abad Faciolince
items: Marianne Lederer, Madeleine Stratford (sous la dir. de), Culture et traduction. Au-delà des mots, Classiques Garnier, Paris, 2020, 197 p.
items: Giorgio Agamben, Misterul răului. Benedict XVI și sfârșitul veacurilor, traducere de Anamaria Gebăilă, Humanitas, București, 2023, 98 p.
items: Transmedial Narration: Narratives and Stories in Different Media, Lars Elleström, Springer International AG, 2019, 152 pp.
items: Ciprian POPA, Sintassi della lingua italiana. Teoria & esercizi, Suceava, Editura Universităţii “Ştefan cel Mare”, 2019, 142 p.
items: The Secret Garden: English to Romanian Interlingual Translations (1992-2022)
items: La traduction de la préposition à en finnois et en roumain
items: Explication et explicitation : les marqueurs discursifs dans les ouvrages de linguistique traduits en roumain
items: Linguistic Areas of Transfer: the European Diffusion Area and the Balkan Sprachbund
items: Proverbele românești, de la tradiție la digitalizare (I)
items: Literature Written by Women in the Romanian Curriculum
items: A Presentation of the Betzavta Method for Teaching: Description and Possible Adaptations for Language & Literature Classes
items: Sensemaking as the Basic Essence of Culture (Based on the Example of Cultures of Different Language Families)
items: Sosnowiec Bishop Grzegorz Kaszak’s Pastoral Letter to His Diocese Priests, dated September 22nd, 2023. The Cooperation and Politeness Therein
items: The Visual Representations of Literature as a British (In)Formal Institution in To Walk Invisible (Director Sally Wainwright, 2016, BBC Wales Production)
items: Metamorfozele spiritului şi prefacerile literei. Metamorfoză, anamorfoză şi automorfoză în Asuntos de un hidalgo disoluto
items: Orlanda via Orlando : de la métamorphose à la transidentification projective
items: Quantum Histories, Contingency, and Stardom: Narrativizing the Self in Music, in a Foreign Language and My Life is like a Fairy Tale
items: Lavinia IENCEANU, Metamorfoze şi anamorfoze arhetipale în Asuntos de un hidalgo disoluto, Editura Universităţii „Ştefan cel Mare” din Suceava, 2023, 523 pp.
items: Cristina Bleorțu, Lavinia Seiciuc, Noi metode de cercetare în științele umaniste: edițiile digitale, Editura Casa Cărții de Știință, 2024, 99 pp.
items: Ciprian Popa, Influența limbii italiene asupra românei literare. Studiu sincronic și investigație diacronică, Editura PIM Iași, 2017, 233 pp.
items: Le passage de la page à l’écran : L’adaptation de la création littéraire

Ciprian POPA, Limba italiană. Gramatică & Exerciţii, Suceava, Editura Universităţii “Ştefan cel Mare”, 2015, 197 p.
type: item
subject: Reviews and interviews
  topic: section
creator: Mirela Aioane
rights: Copyright (c) 2023 Editura Universității „Ștefan cel Mare” din Suceava https://creativecommons.org/licenses/by/4.0
date: 2023-05-31
publication date: 2023-05-31

The Unfathomable Sea
type: item
description: <p style="box-sizing: border-box; margin-top: 0px; margin-bottom: 16px; color: #151518; font-family: -apple-system, MacEmoji, BlinkMacSystemFont, 'Segoe UI', Helvetica, Arial, sans-serif, 'Apple Color Emoji', 'Segoe UI Emoji'; font-size: 16px; font-style: normal; font-variant-ligatures: normal; font-variant-caps: normal; font-weight: 400; letter-spacing: normal; orphans: 2; text-align: start; text-indent: 0px; text-transform: none; widows: 2; word-spacing: 0px; -webkit-text-stroke-width: 0px; white-space: normal; background-color: #ffffff; text-decoration-thickness: initial; text-decoration-style: initial; text-decoration-color: initial;" data-source-line="139" data-source-line-end="140" data-token-idx="189" data-darkreader-inline-color="" data-darkreader-inline-bgcolor="">Science in general and mysteries of the brain in particular have puzzled us for centuries. For most of us, it is like an unfathomable sea. In this short article, the challenges of understanding our world and ourselves are depicted. In addition, ideas such as enhancing interdisciplinary bonding between art and science are proposed. The author supposes that the suggested approach should be open to accepting contributions from various scientific disciplines, arts, cultures and social groups.
subject: Cross-Artistic Approaches: Neuroaesthetics
  topic: section
subject: science
  topic: keywords
subject: brain
  topic: keywords
subject: art
  topic: keywords
subject: interdisciplinary
  topic: keywords
subject: cultures
  topic: keywords
subject: challenges
  topic: keywords
creator: Morteza Izadifar
rights: Copyright (c) 2023 Editura Universității „Ștefan cel Mare” din Suceava https://creativecommons.org/licenses/by/4.0
date: 2023-05-31
publication date: 2023-05-31

A Multidisciplinary Approach to the Actor’s Active Listening
type: item
description: <span style="color: #151518; font-family: -apple-system, MacEmoji, BlinkMacSystemFont, 'Segoe UI', Helvetica, Arial, sans-serif, 'Apple Color Emoji', 'Segoe UI Emoji'; font-size: 16px; font-style: normal; font-variant-ligatures: normal; font-variant-caps: normal; font-weight: 400; letter-spacing: normal; orphans: 2; text-align: start; text-indent: 0px; text-transform: none; widows: 2; word-spacing: 0px; -webkit-text-stroke-width: 0px; white-space: normal; background-color: #ffffff; text-decoration-thickness: initial; text-decoration-style: initial; text-decoration-color: initial; display: inline !important; float: none;" data-darkreader-inline-color="" data-darkreader-inline-bgcolor="">We know that a sound becomes a meaning carrier only when it is actively listened to. As M. Scott Peck observes, listening is essential, for there is no real communication in the absence of real listening. During rehearsals, the actor/actress immerses him/herself in a state of listening in order not only to develop his/her concentration, observing ego, distributed attention, capacity of identifying with/distancing from a character, but also to establish relationships with his/her self, with the other actors and with the spectators. To briefly analyze the actor’s process of active listening, the present paper makes reference to methods and techniques used in different fields of research such as psychoanalysis, psychology, psychodrama, theatre, paratheatre, storytelling, emphasizing the idea that emotional identification, alienation, self-revelation, reaching physical tiredness play a major role in self-growth. Undeniably, the actor’s explorations and experiments aim at improving his capacity of creating sequences of physical and vocal actions in order to tell every spectator a different story to which he/she reacts according to his/her background, personality and personal experiences. Taking into consideration the phenomenon of neural coupling, we advance the idea that both theatre perf…
subject: Cross-Artistic Approaches: Neuroaesthetics
  topic: section
subject: active listening
  topic: keywords
subject: story
  topic: keywords
subject: identification
  topic: keywords
subject: alienation
  topic: keywords
subject: actor
  topic: keywords
creator: Diana Cozma
rights: Copyright (c) 2023 Editura Universității „Ștefan cel Mare” din Suceava https://creativecommons.org/licenses/by/4.0
date: 2023-05-31
publication date: 2023-05-31

Eugenio Coseriu, Tempo e linguaggio: un’analisi della traduzione in romeno
type: item
description: <p style="box-sizing: border-box; margin-top: 0px; margin-bottom: 16px; color: #151518; font-family: -apple-system, MacEmoji, BlinkMacSystemFont, 'Segoe UI', Helvetica, Arial, sans-serif, 'Apple Color Emoji', 'Segoe UI Emoji'; font-size: 16px; font-style: normal; font-variant-ligatures: normal; font-variant-caps: normal; font-weight: 400; letter-spacing: normal; orphans: 2; text-align: start; text-indent: 0px; text-transform: none; widows: 2; word-spacing: 0px; -webkit-text-stroke-width: 0px; white-space: normal; background-color: #ffffff; text-decoration-thickness: initial; text-decoration-style: initial; text-decoration-color: initial;" data-source-line="107" data-source-line-end="108" data-token-idx="141" data-darkreader-inline-color="" data-darkreader-inline-bgcolor="">According to Eugenio Coseriu, translation should be seen as a form of "cultural otherness", a mutual exchange of values. The present report is a contrastive study of the Romanian translations of Eugenio Coseriu's conference Time and Language (“Tempo e linguaggio”). Our translation from Italian into Romanian was preceded by Ana Covaciu’s translation and by comparing them we can notice many similarities, but also some inadvertencies. The aim of the contrastive analysis of the two translations is to see if the decisions we took at that time for the equivalences were correct or still are thanks to the second revision. The translation into Romanian of Coseriu’s text was a challenge above all because it was a linguistic text which could pose serious problems regarding the linguistic and semantic terminology equivalence. The contrastive study was carried out at a lexical and semantic level, at a morphosyntactic level and also at an orthographic level.
subject: Translation strategies
  topic: section
subject: Coseriu
  topic: keywords
subject: linguistics
  topic: keywords
subject: metatext
  topic: keywords
subject: translation
  topic: keywords
subject: transposition
  topic: keywords
creator: Ciprian Popa
rights: Copyright (c) 2023 Editura Universității „Ștefan cel Mare” din Suceava https://creativecommons.org/licenses/by/4.0
date: 2023-05-31
publication date: 2023-05-31

Ambiguitatea, un “rău necesar” şi savuros în generarea comicului lingvistic
type: item
description: <span style="color: #151518; font-family: -apple-system, MacEmoji, BlinkMacSystemFont, 'Segoe UI', Helvetica, Arial, sans-serif, 'Apple Color Emoji', 'Segoe UI Emoji'; font-size: 16px; font-style: normal; font-variant-ligatures: normal; font-variant-caps: normal; font-weight: 400; letter-spacing: normal; orphans: 2; text-align: start; text-indent: 0px; text-transform: none; widows: 2; word-spacing: 0px; -webkit-text-stroke-width: 0px; white-space: normal; background-color: #ffffff; text-decoration-thickness: initial; text-decoration-style: initial; text-decoration-color: initial; display: inline !important; float: none;" data-darkreader-inline-color="" data-darkreader-inline-bgcolor="">After briefly surveying several of the most ventilated theories accounting for linguistic ambiguity, as well as the main attempts at subcategorising the phenomenon at issue in the second section, we submit to the reader in the third section a selection of ten language humour specimens which make up the research subcorpus of the present contribution and which are part and parcel of a much larger one amounting to approxim. 150 examples. The ten specimens have been extracted from the English subarea of the corpus, in order to more accurately showcase the ambiguity enablers which this particular language preeminently boasts on account of its being possessed of a rather meagre morphology, with a prolific semantics doing a fantastic job for it. The fourth section thoroughly anatomizes the humour-generating devices at work in the specimens selected, while advancing modest proposals for translation of the jokes into Romanian or languacultural substitution thereof where punchline preservation can be effected with no great difficulty.
subject: Contrastive linguistics
  topic: section
subject: ambiguity
  topic: keywords
subject: language humour
  topic: keywords
subject: English
  topic: keywords
subject: Romanian
  topic: keywords
subject: languaculture
  topic: keywords
subject: translation
  topic: keywords
creator: Gina Măciucă
rights: Copyright (c) 2023 Editura Universității „Ștefan cel Mare” din Suceava https://creativecommons.org/licenses/by/4.0
date: 2023-05-31
publication date: 2023-05-31

Ratio vs credo sau ratio et credo în textul Vechiului Testament. O perspectivă filosofico-religioasă
type: item
description: <span style="color: #151518; font-family: -apple-system, MacEmoji, BlinkMacSystemFont, 'Segoe UI', Helvetica, Arial, sans-serif, 'Apple Color Emoji', 'Segoe UI Emoji'; font-size: 16px; font-style: normal; font-variant-ligatures: normal; font-variant-caps: normal; font-weight: 400; letter-spacing: normal; orphans: 2; text-align: start; text-indent: 0px; text-transform: none; widows: 2; word-spacing: 0px; -webkit-text-stroke-width: 0px; white-space: normal; background-color: #ffffff; text-decoration-thickness: initial; text-decoration-style: initial; text-decoration-color: initial; display: inline !important; float: none;" data-darkreader-inline-color="" data-darkreader-inline-bgcolor="">This paper focuses on the symbiotic relationship between Reason and Faith in the Old Testament and the interpretation of this binomial from a philosophical as well as theological perspective.
subject: Cross-Cultural Strategies: Philosophically-Based Approaches
  topic: section
subject: Ratio
  topic: keywords
subject: Revelatio
  topic: keywords
subject: The Old Testament
  topic: keywords
subject: Christian doctrine
  topic: keywords
subject: Faith
  topic: keywords
subject: Reason
  topic: keywords
creator: Cristiana-Mădălina Chirica
rights: Copyright (c) 2023 Editura Universității „Ștefan cel Mare” din Suceava https://creativecommons.org/licenses/by/4.0
date: 2023-05-31
publication date: 2023-05-31

Hybrid Topologies of the Self
type: item
description: <span style="color: #151518; font-family: -apple-system, MacEmoji, BlinkMacSystemFont, 'Segoe UI', Helvetica, Arial, sans-serif, 'Apple Color Emoji', 'Segoe UI Emoji'; font-size: 16px; font-style: normal; font-variant-ligatures: normal; font-variant-caps: normal; font-weight: 400; letter-spacing: normal; orphans: 2; text-align: start; text-indent: 0px; text-transform: none; widows: 2; word-spacing: 0px; -webkit-text-stroke-width: 0px; white-space: normal; background-color: #ffffff; text-decoration-thickness: initial; text-decoration-style: initial; text-decoration-color: initial; display: inline !important; float: none;" data-darkreader-inline-color="" data-darkreader-inline-bgcolor="">The following study focuses on Matthew Baker’s <em style="box-sizing: border-box; color: #151518; font-family: -apple-system, MacEmoji, BlinkMacSystemFont, 'Segoe UI', Helvetica, Arial, sans-serif, 'Apple Color Emoji', 'Segoe UI Emoji'; font-size: 16px; font-variant-ligatures: normal; font-variant-caps: normal; font-weight: 400; letter-spacing: normal; orphans: 2; text-align: start; text-indent: 0px; text-transform: none; widows: 2; word-spacing: 0px; -webkit-text-stroke-width: 0px; white-space: normal; background-color: #ffffff; text-decoration-thickness: initial; text-decoration-style: initial; text-decoration-color: initial;" data-darkreader-inline-color="" data-darkreader-inline-bgcolor="">Hybrid Creatures<span style="color: #151518; font-family: -apple-system, MacEmoji, BlinkMacSystemFont, 'Segoe UI', Helvetica, Arial, sans-serif, 'Apple Color Emoji', 'Segoe UI Emoji'; font-size: 16px; font-style: normal; font-variant-ligatures: normal; font-variant-caps: normal; font-weight: 400; letter-spacing: normal; orphans: 2; text-align: start; text-indent: 0px; text-transform: none; widows: 2; word-spacing: 0px; -webkit-text-stroke-width: 0px; white-space: normal; background-color: #ffffff; text-decoration-thickness: initial; text-decoration-style: initial; text-decoration-color: initial;…
subject: Cross-Cultural Strategies
  topic: section
subject: intermediality
  topic: keywords
subject: spatiality
  topic: keywords
subject: hybridity
  topic: keywords
subject: identity
  topic: keywords
subject: ontological pluralisation
  topic: keywords
creator: Alexandru Diaconescu
rights: Copyright (c) 2023 Editura Universității „Ștefan cel Mare” din Suceava https://creativecommons.org/licenses/by/4.0
date: 2023-05-31
publication date: 2023-05-31

L’histoire de la vraie Jeanne la Pucelle, du Moyen Âge à Matéi Visniec
type: item
description: <span style="color: #151518; font-family: -apple-system, MacEmoji, BlinkMacSystemFont, 'Segoe UI', Helvetica, Arial, sans-serif, 'Apple Color Emoji', 'Segoe UI Emoji'; font-size: 16px; font-style: normal; font-variant-ligatures: normal; font-variant-caps: normal; font-weight: 400; letter-spacing: normal; orphans: 2; text-align: start; text-indent: 0px; text-transform: none; widows: 2; word-spacing: 0px; -webkit-text-stroke-width: 0px; white-space: normal; background-color: #ffffff; text-decoration-thickness: initial; text-decoration-style: initial; text-decoration-color: initial; display: inline !important; float: none;" data-darkreader-inline-color="" data-darkreader-inline-bgcolor="">This essay focuses on Joan of Arc, a fifteenth-century figure that has since become part of global collective consciousness. Situated between history and myth, she can only be completely defined by her thaumaturgic aspect, resisting rational explanation. Symbol and prolific source of adoration, controversy, and diverse artistic renderings, the Maid of Orléans has also inspired a play by Matéi Visniec (2009), which delivers a contemporary interpretation of her story. Finding herself in the antagonistic position of both combatant and victim, once the commander of Charles VII’s army and the symbol of French liberation, the young woman has now become a brand for vinegar, mustard, pain d’épices, chicory, Camembert or Coulommiers cheese. Questions arise with respect to the claim made by Matéi Visniec’s heroine that she is the <em style="box-sizing: border-box; color: #151518; font-family: -apple-system, MacEmoji, BlinkMacSystemFont, 'Segoe UI', Helvetica, Arial, sans-serif, 'Apple Color Emoji', 'Segoe UI Emoji'; font-size: 16px; font-variant-ligatures: normal; font-variant-caps: normal; font-weight: 400; letter-spacing: normal; orphans: 2; text-align: start; text-indent: 0px; text-transform: none; widows: 2; word-spacing: 0px; -webkit-text-stroke-width: 0px; white-space: normal; background-…
subject: Comparative literature
  topic: section
subject: war
  topic: keywords
subject: myth
  topic: keywords
subject: history
  topic: keywords
subject: truth
  topic: keywords
subject: theatre
  topic: keywords
creator: Olga Gancevici
rights: Copyright (c) 2023 Editura Universității „Ștefan cel Mare” din Suceava https://creativecommons.org/licenses/by/4.0
date: 2023-05-31
publication date: 2023-05-31

Conduita suicidară sau puntea spre înrobitoarea dezrobire în Asuntos de un hidalgo disoluto de Héctor Abad Faciolince
type: item
description: <p style="box-sizing: border-box; margin-top: 0px; margin-bottom: 16px; color: #151518; font-family: -apple-system, MacEmoji, BlinkMacSystemFont, 'Segoe UI', Helvetica, Arial, sans-serif, 'Apple Color Emoji', 'Segoe UI Emoji'; font-size: 16px; font-style: normal; font-variant-ligatures: normal; font-variant-caps: normal; font-weight: 400; letter-spacing: normal; orphans: 2; text-align: start; text-indent: 0px; text-transform: none; widows: 2; word-spacing: 0px; -webkit-text-stroke-width: 0px; white-space: normal; background-color: #ffffff; text-decoration-thickness: initial; text-decoration-style: initial; text-decoration-color: initial;" data-source-line="13" data-source-line-end="14" data-token-idx="15" data-darkreader-inline-color="" data-darkreader-inline-bgcolor="">The present study advances a multifaceted approach to the suicidal gesture of Columbian Asuntos de un hidalgo disoluto’s protagonist and to the latter’s multiple typologies exposed. Sharply brought into focus will be the suicidal strategy, the legitimacy and soundness of the motivation, as well as the connotative load of the suicidal behaviour, with a view to apprehending and subsequently fully understanding the character’s eschatological stance by ferreting out significant clues to adequate interpretation of both patent and latent cues of Gaspar Medina Urdaneta’s words and deeds. Turning to good account the self-annihilation pattern which the Columbian Don Quixote, in his capacity as both agent and patient of reduction and self-abduction to nought, gradually – if sometimes reluctantly – is spawning, we will shed revealing light on the symbolic function of the shoes and that proleptic of the memoirs – viewed as pre-suicidal undertaking –, both of them related to the archetypal framework of the novel’s dazzling denouement. Gradually succumbing to a tedium vitae which his flickering willpower helped induce, the hero under scrutiny seems to be swimming against the mainstream of Hispano-American vitalism…
subject: Proemial Study
  topic: section
subject: suicide
  topic: keywords
subject: thanatophilia
  topic: keywords
subject: death drive
  topic: keywords
subject: nihilocentrism
  topic: keywords
subject: self-destruction
  topic: keywords
subject: de/reconstruction
  topic: keywords
creator: Lavinia Ienceanu
rights: Copyright (c) 2023 Editura Universității „Ștefan cel Mare” din Suceava https://creativecommons.org/licenses/by/4.0
date: 2023-05-31
publication date: 2023-05-31

Marianne Lederer, Madeleine Stratford (sous la dir. de), Culture et traduction. Au-delà des mots, Classiques Garnier, Paris, 2020, 197 p.
type: item
subject: Reviews and interviews
  topic: section
creator: Nicoleta-Loredana Moroșan
rights: Copyright (c) 2023 Editura Universității „Ștefan cel Mare” din Suceava https://creativecommons.org/licenses/by/4.0
date: 2023-10-31
publication date: 2023-10-31

Giorgio Agamben, Misterul răului. Benedict XVI și sfârșitul veacurilor, traducere de Anamaria Gebăilă, Humanitas, București, 2023, 98 p.
type: item
subject: Reviews and interviews
  topic: section
creator: Cristiana-Mădălina Chirica
rights: Copyright (c) 2023 Editura Universității „Ștefan cel Mare” din Suceava https://creativecommons.org/licenses/by/4.0
date: 2023-10-31
publication date: 2023-10-31

Transmedial Narration: Narratives and Stories in Different Media, Lars Elleström, Springer International AG, 2019, 152 pp.
type: item
subject: Reviews and interviews
  topic: section
creator: Magdalena-Simona Trușcan
rights: Copyright (c) 2023 Editura Universității „Ștefan cel Mare” din Suceava https://creativecommons.org/licenses/by/4.0
date: 2023-10-31
publication date: 2023-10-31

Ciprian POPA, Sintassi della lingua italiana. Teoria & esercizi, Suceava, Editura Universităţii “Ştefan cel Mare”, 2019, 142 p.
type: item
subject: Reviews and interviews
  topic: section
creator: Mirela Aioane
rights: Copyright (c) 2023 Editura Universității „Ștefan cel Mare” din Suceava https://creativecommons.org/licenses/by/4.0
date: 2023-10-31
publication date: 2023-10-31

The Secret Garden: English to Romanian Interlingual Translations (1992-2022)
type: item
description: <span style="color: #151518; font-family: -apple-system, MacEmoji, BlinkMacSystemFont, 'Segoe UI', Helvetica, Arial, sans-serif, 'Apple Color Emoji', 'Segoe UI Emoji'; font-size: 16px; font-style: normal; font-variant-ligatures: normal; font-variant-caps: normal; font-weight: 400; letter-spacing: normal; orphans: 2; text-align: start; text-indent: 0px; text-transform: none; widows: 2; word-spacing: 0px; -webkit-text-stroke-width: 0px; white-space: normal; background-color: #ffffff; text-decoration-thickness: initial; text-decoration-style: initial; text-decoration-color: initial; display: inline !important; float: none;" data-darkreader-inline-color="" data-darkreader-inline-bgcolor="">This study focuses on interlingual translations of the novel <em style="box-sizing: border-box; color: #151518; font-family: -apple-system, MacEmoji, BlinkMacSystemFont, 'Segoe UI', Helvetica, Arial, sans-serif, 'Apple Color Emoji', 'Segoe UI Emoji'; font-size: 16px; font-variant-ligatures: normal; font-variant-caps: normal; font-weight: 400; letter-spacing: normal; orphans: 2; text-align: start; text-indent: 0px; text-transform: none; widows: 2; word-spacing: 0px; -webkit-text-stroke-width: 0px; white-space: normal; background-color: #ffffff; text-decoration-thickness: initial; text-decoration-style: initial; text-decoration-color: initial;" data-darkreader-inline-color="" data-darkreader-inline-bgcolor="">The Secret Garden<span style="color: #151518; font-family: -apple-system, MacEmoji, BlinkMacSystemFont, 'Segoe UI', Helvetica, Arial, sans-serif, 'Apple Color Emoji', 'Segoe UI Emoji'; font-size: 16px; font-style: normal; font-variant-ligatures: normal; font-variant-caps: normal; font-weight: 400; letter-spacing: normal; orphans: 2; text-align: start; text-indent: 0px; text-transform: none; widows: 2; word-spacing: 0px; -webkit-text-stroke-width: 0px; white-space: normal; background-color: #ffffff; text-decoration-thickness: initial; text-decoration-style: initial; text-decoration-…
subject: Translation strategies
  topic: section
subject: children’s literature
  topic: keywords
subject: The Secret Garden
  topic: keywords
subject: interlingual translation
  topic: keywords
subject: culture
  topic: keywords
subject: adaptation
  topic: keywords
subject: omission
  topic: keywords
creator: Andreea Irimia
rights: Copyright (c) 2023 Editura Universității „Ștefan cel Mare” din Suceava https://creativecommons.org/licenses/by/4.0
date: 2023-10-31
publication date: 2023-10-31

La traduction de la préposition à en finnois et en roumain
type: item
description: <p style="box-sizing: border-box; margin-top: 0px; margin-bottom: 16px; color: #151518; font-family: -apple-system, MacEmoji, BlinkMacSystemFont, 'Segoe UI', Helvetica, Arial, sans-serif, 'Apple Color Emoji', 'Segoe UI Emoji'; font-size: 16px; font-style: normal; font-variant-ligatures: normal; font-variant-caps: normal; font-weight: 400; letter-spacing: normal; orphans: 2; text-align: start; text-indent: 0px; text-transform: none; widows: 2; word-spacing: 0px; -webkit-text-stroke-width: 0px; white-space: normal; background-color: #ffffff; text-decoration-thickness: initial; text-decoration-style: initial; text-decoration-color: initial;" data-source-line="111" data-source-line-end="112" data-token-idx="138" data-darkreader-inline-color="" data-darkreader-inline-bgcolor="">In the present paper, the author analyses the translation of the French preposition à into Finnish and Romanian. In a multifaceted approach, translating a preposition involves understanding its various meanings and nuances across different languages and cultural contexts. The analysis of the translation of the preposition à into these languages allows finding equivalences that take into account cultural differences and avoiding literal translations that might seem strange or inappropriate. The preposition à can have several meanings and uses in French, such as indicating direction, time, place, etc. Understanding how these nuances are rendered into Finnish and Romanian helps to avoid translation errors and convey the precise meaning of the source text. The author gives examples from the books Courrier de Finlande written by Philippe Guicheteau and Le Village de l’Allemand ou Le Journal des frères Schiller written by Boualem Sansal.
subject: Translation strategies
  topic: section
subject: translation
  topic: keywords
subject: adaptation
  topic: keywords
subject: preposition à
  topic: keywords
subject: French
  topic: keywords
creator: Mihai Ichim
rights: Copyright (c) 2023 Editura Universității „Ștefan cel Mare” din Suceava https://creativecommons.org/licenses/by/4.0
date: 2023-10-31
publication date: 2023-10-31

Explication et explicitation : les marqueurs discursifs dans les ouvrages de linguistique traduits en roumain
type: item
description: <p style="box-sizing: border-box; margin-top: 0px; margin-bottom: 16px; color: #151518; font-family: -apple-system, MacEmoji, BlinkMacSystemFont, 'Segoe UI', Helvetica, Arial, sans-serif, 'Apple Color Emoji', 'Segoe UI Emoji'; font-size: 16px; font-style: normal; font-variant-ligatures: normal; font-variant-caps: normal; font-weight: 400; letter-spacing: normal; orphans: 2; text-align: start; text-indent: 0px; text-transform: none; widows: 2; word-spacing: 0px; -webkit-text-stroke-width: 0px; white-space: normal; background-color: #ffffff; text-decoration-thickness: initial; text-decoration-style: initial; text-decoration-color: initial;" data-source-line="99" data-source-line-end="100" data-token-idx="123" data-darkreader-inline-color="" data-darkreader-inline-bgcolor="">Introducing new terms, approaches and study methods in linguistics requires a very well elaborated explanatory discourse. Explanations and explicitations are part of an argumentative architecture in which discourse markers play an important part. The aim of our paper is to discuss and assess the importance of explanatory and enunciative discourse markers used in French linguistics reference books and their Romanian translation (e.g. en d’autres termes, plus précisément, cela dit), on the basis of a study corpus comprised of examples and excerpts from Moeschler and Reboul’s Dictionnaire encyclopédique de pragmatique.
subject: Translation strategies
  topic: section
subject: discourse markers
  topic: keywords
subject: explanation
  topic: keywords
subject: linguistics
  topic: keywords
subject: pragmatics
  topic: keywords
subject: translation
  topic: keywords
creator: Raluca-Nicoleta Balațchi
rights: Copyright (c) 2023 Editura Universității „Ștefan cel Mare” din Suceava https://creativecommons.org/licenses/by/4.0
date: 2023-10-31
publication date: 2023-10-31

Linguistic Areas of Transfer: the European Diffusion Area and the Balkan Sprachbund
type: item
description: <span style="color: #151518; font-family: -apple-system, MacEmoji, BlinkMacSystemFont, 'Segoe UI', Helvetica, Arial, sans-serif, 'Apple Color Emoji', 'Segoe UI Emoji'; font-size: 16px; font-style: normal; font-variant-ligatures: normal; font-variant-caps: normal; font-weight: 400; letter-spacing: normal; orphans: 2; text-align: start; text-indent: 0px; text-transform: none; widows: 2; word-spacing: 0px; -webkit-text-stroke-width: 0px; white-space: normal; background-color: #ffffff; text-decoration-thickness: initial; text-decoration-style: initial; text-decoration-color: initial; display: inline !important; float: none;" data-darkreader-inline-color="" data-darkreader-inline-bgcolor="">This article focuses on the concept of linguistic area as it is reflected in research concerned with the Balkan and the European Sprachbunds. Both these diffusion areas have been identified or understood as Other in relation with the West and in the world-wide context, respectively. Several distinctive features that characterise the areas under scrutiny and identify them as Sprachbunds are dealt with in this paper. Our research briefly touches upon the way in which several historical circumstances have affected the cultural contact that lead to language change in these two linguistic areas.
subject: Contrastive linguistics
  topic: section
subject: diffusion area
  topic: keywords
subject: Balkan Sprachbund
  topic: keywords
subject: Standard Average European
  topic: keywords
subject: areal classification
  topic: keywords
subject: typological similarities
  topic: keywords
creator: Daniela Maria Marțole
rights: Copyright (c) 2023 Editura Universității „Ștefan cel Mare” din Suceava https://creativecommons.org/licenses/by/4.0
date: 2023-10-31
publication date: 2023-10-31

Proverbele românești, de la tradiție la digitalizare (I)
type: item
description: <span style="color: #151518; font-family: -apple-system, MacEmoji, BlinkMacSystemFont, 'Segoe UI', Helvetica, Arial, sans-serif, 'Apple Color Emoji', 'Segoe UI Emoji'; font-size: 16px; font-style: normal; font-variant-ligatures: normal; font-variant-caps: normal; font-weight: 400; letter-spacing: normal; orphans: 2; text-align: start; text-indent: 0px; text-transform: none; widows: 2; word-spacing: 0px; -webkit-text-stroke-width: 0px; white-space: normal; background-color: #ffffff; text-decoration-thickness: initial; text-decoration-style: initial; text-decoration-color: initial; display: inline !important; float: none;" data-darkreader-inline-color="" data-darkreader-inline-bgcolor="">The present paper analyzes how the mechanism of construction and operation of the traditional proverb, which calls for operations of structuring, metaphorization, transfer and extension of meaning in other communication situations, finds its applicability when subjected to modeling by AI. The comparison of the particularities of the traditional Romanian proverbs with those generated by AI, by analyzing the way of updating the structural features, highlighted the fact that the traditional paremiological thesaurus is characterized by well-defined particularities at the level of construction elements. The specificity of the class resulting from the combination of features relates to aspects such as brevity, the frequently solemn nature, daily life, traditions and customs, particularities partially respected in the process of generating new proverbs by training models of artificial intelligence.
subject: Contrastive linguistics
  topic: section
subject: proverb
  topic: keywords
subject: AI
  topic: keywords
subject: structural analysis
  topic: keywords
subject: metaphorization
  topic: keywords
subject: extension of meaning
  topic: keywords
creator: Monica-Geanina Coca
rights: Copyright (c) 2023 Editura Universității „Ștefan cel Mare” din Suceava https://creativecommons.org/licenses/by/4.0
date: 2023-10-31
publication date: 2023-10-31

Literature Written by Women in the Romanian Curriculum
type: item
description: <span style="color: #151518; font-family: -apple-system, MacEmoji, BlinkMacSystemFont, 'Segoe UI', Helvetica, Arial, sans-serif, 'Apple Color Emoji', 'Segoe UI Emoji'; font-size: 16px; font-style: normal; font-variant-ligatures: normal; font-variant-caps: normal; font-weight: 400; letter-spacing: normal; orphans: 2; text-align: start; text-indent: 0px; text-transform: none; widows: 2; word-spacing: 0px; -webkit-text-stroke-width: 0px; white-space: normal; background-color: #ffffff; text-decoration-thickness: initial; text-decoration-style: initial; text-decoration-color: initial; display: inline !important; float: none;" data-darkreader-inline-color="" data-darkreader-inline-bgcolor="">This paper dwells on the rather outdated Romanian curriculum in the study of Romanian language and literature and its purpose is to raise awareness of the names of salient female writers that are missing from the curriculum. We consider that feminism is a dual process which operates both on a social and educational level of society. The structure of society is reflecting on the structure of education where sexism is currently being perpetuated through the absence of female writers in the literary canon. Our research is didactic because we want to improve the curriculum and it is also a longitudinal research, since we propose to highlight the theoretical framework of the research during a year. The fields of research are education, philology and sociology. The methods chosen are: the survey method, the psychopedagogical experimental method, the sociometric methods, as well as the examination of curriculum documents and of other school documents.
subject: Intercultural Education
  topic: section
subject: feminism
  topic: keywords
subject: gender equality
  topic: keywords
subject: feminine literature
  topic: keywords
subject: literary canon
  topic: keywords
subject: sexism
  topic: keywords
creator: Mirela Antonovici
creator: Maria Kostash
creator: Simina Lazăr
rights: Copyright (c) 2023 Editura Universității „Ștefan cel Mare” din Suceava https://creativecommons.org/licenses/by/4.0
date: 2023-10-31
publication date: 2023-10-31

A Presentation of the Betzavta Method for Teaching: Description and Possible Adaptations for Language & Literature Classes
type: item
description: <span style="color: #151518; font-family: -apple-system, MacEmoji, BlinkMacSystemFont, 'Segoe UI', Helvetica, Arial, sans-serif, 'Apple Color Emoji', 'Segoe UI Emoji'; font-size: 16px; font-style: normal; font-variant-ligatures: normal; font-variant-caps: normal; font-weight: 400; letter-spacing: normal; orphans: 2; text-align: start; text-indent: 0px; text-transform: none; widows: 2; word-spacing: 0px; -webkit-text-stroke-width: 0px; white-space: normal; background-color: #ffffff; text-decoration-thickness: initial; text-decoration-style: initial; text-decoration-color: initial; display: inline !important; float: none;" data-darkreader-inline-color="" data-darkreader-inline-bgcolor="">Betzavta is a method for teaching democracy, based on play. It simulates situations which imply decisional processes and centers the educational experience around a dilemma which must be solved. Such an approach to education leads to a more intimate and genuine learning experience for the students, allowing them to engage with the content of the class and own the consequences of their actions. However, such a method presents a number of difficulties when trying to implement it in formal educational contexts, and as such launches the challenge of adapting it, rather than simply adopting it. In this article, I present a brief description of the method itself, as well as some studied consequences of teaching through games and simulations generally. (There is little literature on the consequences of this method itself.) Additionally, I present two options for adapting exercises from this method to the teaching of English language and literature classes at high-school level, with possible adaptation for college seminars as well.
subject: Intercultural Education
  topic: section
subject: Betzavta
  topic: keywords
subject: education
  topic: keywords
subject: games
  topic: keywords
subject: simulation-based learning
  topic: keywords
subject: English language teaching
  topic: keywords
creator: Mihaela Buzec
rights: Copyright (c) 2023 Editura Universității „Ștefan cel Mare” din Suceava https://creativecommons.org/licenses/by/4.0
date: 2023-10-31
publication date: 2023-10-31

Sensemaking as the Basic Essence of Culture (Based on the Example of Cultures of Different Language Families)
type: item
description: <span style="color: #151518; font-family: -apple-system, MacEmoji, BlinkMacSystemFont, 'Segoe UI', Helvetica, Arial, sans-serif, 'Apple Color Emoji', 'Segoe UI Emoji'; font-size: 16px; font-style: normal; font-variant-ligatures: normal; font-variant-caps: normal; font-weight: 400; letter-spacing: normal; orphans: 2; text-align: start; text-indent: 0px; text-transform: none; widows: 2; word-spacing: 0px; -webkit-text-stroke-width: 0px; white-space: normal; background-color: #ffffff; text-decoration-thickness: initial; text-decoration-style: initial; text-decoration-color: initial; display: inline !important; float: none;" data-darkreader-inline-color="" data-darkreader-inline-bgcolor="">The article examines the issues of the formation of cultural meanings as a dynamic process, the formation of the semantic core of culture and its role in the process of “expansion” of meanings. Attention is focused on the general features of culture: duality, cyclicity and the ability of culture to create an “ideal” meaning, which are directly or indirectly related to the main essential function of culture - sensemaking. The basis of sensemaking is the semantic core of a culture, which is formed by its DNA and “ideal” meanings. The DNA of a culture is understood as the “ideal” meaning. The “expansion” of meanings occurs through the dynamic connection of “ideal” meanings and “wandering” meanings. The relationship between sensemaking and the vitality of culture is indicated. Three fundamental elements of sensemaking are identified and explained – meaning-images, meaning-constructs and meaning-terms.
subject: Cross-Cultural Strategies
  topic: section
subject: semantic core of culture
  topic: keywords
subject: sensemaking
  topic: keywords
subject: “ideal” meanings
  topic: keywords
subject: DNA of culture
  topic: keywords
subject: basic meanings of culture
  topic: keywords
creator: Oksana Leontjeva
creator: Marina Teplenko
rights: Copyright (c) 2023 Editura Universității „Ștefan cel Mare” din Suceava https://creativecommons.org/licenses/by/4.0
date: 2023-10-31
publication date: 2023-10-31

Sosnowiec Bishop Grzegorz Kaszak’s Pastoral Letter to His Diocese Priests, dated September 22nd, 2023. The Cooperation and Politeness Therein
type: item
description: <p class="" style="box-sizing: border-box; margin-top: 0px; margin-bottom: 16px; color: #151518; font-family: -apple-system, MacEmoji, BlinkMacSystemFont, 'Segoe UI', Helvetica, Arial, sans-serif, 'Apple Color Emoji', 'Segoe UI Emoji'; font-size: 16px; font-style: normal; font-variant-ligatures: normal; font-variant-caps: normal; font-weight: 400; letter-spacing: normal; orphans: 2; text-align: start; text-indent: 0px; text-transform: none; widows: 2; word-spacing: 0px; -webkit-text-stroke-width: 0px; white-space: normal; background-color: #ffffff; text-decoration-thickness: initial; text-decoration-style: initial; text-decoration-color: initial;" data-source-line="36" data-source-line-end="37" data-token-idx="48" data-darkreader-inline-color="" data-darkreader-inline-bgcolor="">The paper deals with the text of the letter that one of the Polish Christian religious leaders - the Catholic bishop Grzegorz Kaszak – sent to his diocese priests on Sep 22. 2023 (the Catholic church is one of the strongest churches in Poland and Bishop Kaszak was the youngest one among its bishops). In the paper the linguistic theories by H.P. Grice (introduced in his Implicatures) and by G.N. Leech (submitted in his Principles of Pragmatism) are shortly presented and used to check the text of the letter as to the cooperation (i.e. say what you know is as informative as needed, what you know is true, relevant, perspicuous) and politeness (e.g. be tactful, be modest) it shows when it is read according to their linguistic indications. Bishop Kaszak wrote the letter to his diocese priests after a homosexual sex party was organised in the flat of one of the priests in Dąbrowa Górnicza, a city in Bishop Kaszak’s diocese, in August 2023. It was one of many sex scandals in this diocese Bishop Kaszak was ruling since 2009, including the Seminary Rector spending time in a gay dark room. A murder was also committed in Bishop Kaszak’s parish when a mentally ill priest killed a young deacon. In the let…
subject: Cross-Cultural Strategies
  topic: section
subject: Bishop Kaszak
  topic: keywords
subject: priests
  topic: keywords
subject: the letter
  topic: keywords
subject: cooperation
  topic: keywords
subject: politeness
  topic: keywords
creator: Anna Pietryga
rights: Copyright (c) 2023 Editura Universității „Ștefan cel Mare” din Suceava https://creativecommons.org/licenses/by/4.0
date: 2023-10-31
publication date: 2023-10-31

The Visual Representations of Literature as a British (In)Formal Institution in To Walk Invisible (Director Sally Wainwright, 2016, BBC Wales Production)
type: item
description: <span style="color: #151518; font-family: -apple-system, MacEmoji, BlinkMacSystemFont, 'Segoe UI', Helvetica, Arial, sans-serif, 'Apple Color Emoji', 'Segoe UI Emoji'; font-size: 16px; font-style: normal; font-variant-ligatures: normal; font-variant-caps: normal; font-weight: 400; letter-spacing: normal; orphans: 2; text-align: start; text-indent: 0px; text-transform: none; widows: 2; word-spacing: 0px; -webkit-text-stroke-width: 0px; white-space: normal; background-color: #ffffff; text-decoration-thickness: initial; text-decoration-style: initial; text-decoration-color: initial; display: inline !important; float: none;" data-darkreader-inline-color="" data-darkreader-inline-bgcolor="">The (In)Formal Institution of Literature in the British Visual Narrative “To Walk Invisible” includes a short theoretical approach on (in)formal literature, the distinction among the terms literature, literariness and literary person, what the terms British and Britishness refer to, and finally the way in which all these concepts are visually represented in Sally Wainwright’s movie.
subject: Comparative literature
  topic: section
subject: formal/informal institution
  topic: keywords
subject: literature
  topic: keywords
subject: visual storytelling
  topic: keywords
subject: visual narrative
  topic: keywords
subject: Britishness
  topic: keywords
creator: Cristina Nechifor
rights: Copyright (c) 2023 Editura Universității „Ștefan cel Mare” din Suceava https://creativecommons.org/licenses/by/4.0
date: 2026-01-13
publication date: 2026-01-13

Metamorfozele spiritului şi prefacerile literei. Metamorfoză, anamorfoză şi automorfoză în Asuntos de un hidalgo disoluto
type: item
description: <span style="color: #151518; font-family: -apple-system, MacEmoji, BlinkMacSystemFont, 'Segoe UI', Helvetica, Arial, sans-serif, 'Apple Color Emoji', 'Segoe UI Emoji'; font-size: 16px; font-style: normal; font-variant-ligatures: normal; font-variant-caps: normal; font-weight: 400; letter-spacing: normal; orphans: 2; text-align: start; text-indent: 0px; text-transform: none; widows: 2; word-spacing: 0px; -webkit-text-stroke-width: 0px; white-space: normal; background-color: #ffffff; text-decoration-thickness: initial; text-decoration-style: initial; text-decoration-color: initial; display: inline !important; float: none;" data-darkreader-inline-color="" data-darkreader-inline-bgcolor="">The present study is a multifaceted approach to <em style="box-sizing: border-box; color: #151518; font-family: -apple-system, MacEmoji, BlinkMacSystemFont, 'Segoe UI', Helvetica, Arial, sans-serif, 'Apple Color Emoji', 'Segoe UI Emoji'; font-size: 16px; font-variant-ligatures: normal; font-variant-caps: normal; font-weight: 400; letter-spacing: normal; orphans: 2; text-align: start; text-indent: 0px; text-transform: none; widows: 2; word-spacing: 0px; -webkit-text-stroke-width: 0px; white-space: normal; background-color: #ffffff; text-decoration-thickness: initial; text-decoration-style: initial; text-decoration-color: initial;" data-darkreader-inline-color="" data-darkreader-inline-bgcolor="">Asuntos de un hidalgo disoluto<span style="color: #151518; font-family: -apple-system, MacEmoji, BlinkMacSystemFont, 'Segoe UI', Helvetica, Arial, sans-serif, 'Apple Color Emoji', 'Segoe UI Emoji'; font-size: 16px; font-style: normal; font-variant-ligatures: normal; font-variant-caps: normal; font-weight: 400; letter-spacing: normal; orphans: 2; text-align: start; text-indent: 0px; text-transform: none; widows: 2; word-spacing: 0px; -webkit-text-stroke-width: 0px; white-space: normal; background-color: #ffffff; text-decoration-thickness: initial; text-decoration-style: initial; text-decoration-…
subject: Comparative literature
  topic: section
subject: Hispano-American burden vs freedom
  topic: keywords
subject: camel→lion→child metamorphosis
  topic: keywords
subject: ontogenesis
  topic: keywords
subject: reflexological theory
  topic: keywords
subject: regimes of writing
  topic: keywords
creator: Lavinia Ienceanu
rights: Copyright (c) 2023 Editura Universității „Ștefan cel Mare” din Suceava https://creativecommons.org/licenses/by/4.0
date: 2023-10-31
publication date: 2023-10-31

Orlanda via Orlando : de la métamorphose à la transidentification projective
type: item
description: <span style="color: #151518; font-family: -apple-system, MacEmoji, BlinkMacSystemFont, 'Segoe UI', Helvetica, Arial, sans-serif, 'Apple Color Emoji', 'Segoe UI Emoji'; font-size: 16px; font-style: normal; font-variant-ligatures: normal; font-variant-caps: normal; font-weight: 400; letter-spacing: normal; orphans: 2; text-align: start; text-indent: 0px; text-transform: none; widows: 2; word-spacing: 0px; -webkit-text-stroke-width: 0px; white-space: normal; background-color: #ffffff; text-decoration-thickness: initial; text-decoration-style: initial; text-decoration-color: initial; display: inline !important; float: none;" data-darkreader-inline-color="" data-darkreader-inline-bgcolor="">This article proposes a series of reflections on the novel <em style="box-sizing: border-box; color: #151518; font-family: -apple-system, MacEmoji, BlinkMacSystemFont, 'Segoe UI', Helvetica, Arial, sans-serif, 'Apple Color Emoji', 'Segoe UI Emoji'; font-size: 16px; font-variant-ligatures: normal; font-variant-caps: normal; font-weight: 400; letter-spacing: normal; orphans: 2; text-align: start; text-indent: 0px; text-transform: none; widows: 2; word-spacing: 0px; -webkit-text-stroke-width: 0px; white-space: normal; background-color: #ffffff; text-decoration-thickness: initial; text-decoration-style: initial; text-decoration-color: initial;" data-darkreader-inline-color="" data-darkreader-inline-bgcolor="">Orlanda<span style="color: #151518; font-family: -apple-system, MacEmoji, BlinkMacSystemFont, 'Segoe UI', Helvetica, Arial, sans-serif, 'Apple Color Emoji', 'Segoe UI Emoji'; font-size: 16px; font-style: normal; font-variant-ligatures: normal; font-variant-caps: normal; font-weight: 400; letter-spacing: normal; orphans: 2; text-align: start; text-indent: 0px; text-transform: none; widows: 2; word-spacing: 0px; -webkit-text-stroke-width: 0px; white-space: normal; background-color: #ffffff; text-decoration-thickness: initial; text-decoration-style: initial; text-decoration-color: initi…
subject: Comparative literature
  topic: section
subject: androgyne
  topic: keywords
subject: double
  topic: keywords
subject: intertextuality
  topic: keywords
subject: psychoanalysis
  topic: keywords
subject: projective (trans)identification
  topic: keywords
creator: Olga Gancevici
rights: Copyright (c) 2023 Editura Universității „Ștefan cel Mare” din Suceava https://creativecommons.org/licenses/by/4.0
date: 2023-10-31
publication date: 2023-10-31

Quantum Histories, Contingency, and Stardom: Narrativizing the Self in Music, in a Foreign Language and My Life is like a Fairy Tale
type: item
description: <span style="color: #151518; font-family: -apple-system, MacEmoji, BlinkMacSystemFont, 'Segoe UI', Helvetica, Arial, sans-serif, 'Apple Color Emoji', 'Segoe UI Emoji'; font-size: 16px; font-style: normal; font-variant-ligatures: normal; font-variant-caps: normal; font-weight: 400; letter-spacing: normal; orphans: 2; text-align: start; text-indent: 0px; text-transform: none; widows: 2; word-spacing: 0px; -webkit-text-stroke-width: 0px; white-space: normal; background-color: #ffffff; text-decoration-thickness: initial; text-decoration-style: initial; text-decoration-color: initial; display: inline !important; float: none;" data-darkreader-inline-color="" data-darkreader-inline-bgcolor="">Andrew Crumey’s <em style="box-sizing: border-box; color: #151518; font-family: -apple-system, MacEmoji, BlinkMacSystemFont, 'Segoe UI', Helvetica, Arial, sans-serif, 'Apple Color Emoji', 'Segoe UI Emoji'; font-size: 16px; font-variant-ligatures: normal; font-variant-caps: normal; font-weight: 400; letter-spacing: normal; orphans: 2; text-align: start; text-indent: 0px; text-transform: none; widows: 2; word-spacing: 0px; -webkit-text-stroke-width: 0px; white-space: normal; background-color: #ffffff; text-decoration-thickness: initial; text-decoration-style: initial; text-decoration-color: initial;" data-darkreader-inline-color="" data-darkreader-inline-bgcolor="">Music, in a Foreign Language<span style="color: #151518; font-family: -apple-system, MacEmoji, BlinkMacSystemFont, 'Segoe UI', Helvetica, Arial, sans-serif, 'Apple Color Emoji', 'Segoe UI Emoji'; font-size: 16px; font-style: normal; font-variant-ligatures: normal; font-variant-caps: normal; font-weight: 400; letter-spacing: normal; orphans: 2; text-align: start; text-indent: 0px; text-transform: none; widows: 2; word-spacing: 0px; -webkit-text-stroke-width: 0px; white-space: normal; background-color: #ffffff; text-decoration-thickness: initial; text-decoration-style: initial; text-decoration-color: initial; display: inline !i…
subject: Proemial Study
  topic: section
subject: history
  topic: keywords
subject: temporality
  topic: keywords
subject: determinism
  topic: keywords
subject: chaos theory
  topic: keywords
subject: quantum mechanics
  topic: keywords
creator: Alexandru Diaconescu
rights: Copyright (c) 2023 Editura Universității „Ștefan cel Mare” din Suceava https://creativecommons.org/licenses/by/4.0
date: 2023-10-31
publication date: 2023-10-31

Lavinia IENCEANU, Metamorfoze şi anamorfoze arhetipale în Asuntos de un hidalgo disoluto, Editura Universităţii „Ştefan cel Mare” din Suceava, 2023, 523 pp.
type: item
subject: Reviews and interviews
  topic: section
creator: Nicoleta-Loredana Moroșan
rights: Copyright (c) 2024 Editura Universității „Ștefan cel Mare” din Suceava https://creativecommons.org/licenses/by/4.0
date: 2024-05-31
publication date: 2024-05-31

Cristina Bleorțu, Lavinia Seiciuc, Noi metode de cercetare în științele umaniste: edițiile digitale, Editura Casa Cărții de Știință, 2024, 99 pp.
type: item
subject: Reviews and interviews
  topic: section
creator: Monica-Geanina Coca
rights: Copyright (c) 2024 Editura Universității „Ștefan cel Mare” din Suceava https://creativecommons.org/licenses/by/4.0
date: 2024-05-31
publication date: 2024-05-31

Ciprian Popa, Influența limbii italiene asupra românei literare. Studiu sincronic și investigație diacronică, Editura PIM Iași, 2017, 233 pp.
type: item
subject: Reviews and interviews
  topic: section
creator: Harieta Topoliceanu
rights: Copyright (c) 2024 Editura Universității „Ștefan cel Mare” din Suceava https://creativecommons.org/licenses/by/4.0
date: 2024-05-31
publication date: 2024-05-31

Le passage de la page à l’écran : L’adaptation de la création littéraire
type: item
description: <span style="color: #151518; font-family: -apple-system, MacEmoji, BlinkMacSystemFont, 'Segoe UI', Helvetica, Arial, sans-serif, 'Apple Color Emoji', 'Segoe UI Emoji'; font-size: 16px; font-style: normal; font-variant-ligatures: normal; font-variant-caps: normal; font-weight: 400; letter-spacing: normal; orphans: 2; text-align: start; text-indent: 0px; text-transform: none; widows: 2; word-spacing: 0px; -webkit-text-stroke-width: 0px; white-space: normal; background-color: #ffffff; text-decoration-thickness: initial; text-decoration-style: initial; text-decoration-color: initial; display: inline !important; float: none;" data-darkreader-inline-color="" data-darkreader-inline-bgcolor="">The film adaptation of literature is an extremely detailed and sophisticated process, which puts a lot of pressure on the director of the movie, but also on the whole team itself. Translating Antoine de Saint-Exupery’s <em style="box-sizing: border-box; color: #151518; font-family: -apple-system, MacEmoji, BlinkMacSystemFont, 'Segoe UI', Helvetica, Arial, sans-serif, 'Apple Color Emoji', 'Segoe UI Emoji'; font-size: 16px; font-variant-ligatures: normal; font-variant-caps: normal; font-weight: 400; letter-spacing: normal; orphans: 2; text-align: start; text-indent: 0px; text-transform: none; widows: 2; word-spacing: 0px; -webkit-text-stroke-width: 0px; white-space: normal; background-color: #ffffff; text-decoration-thickness: initial; text-decoration-style: initial; text-decoration-color: initial;" data-darkreader-inline-color="" data-darkreader-inline-bgcolor="">The Little Prince<span style="color: #151518; font-family: -apple-system, MacEmoji, BlinkMacSystemFont, 'Segoe UI', Helvetica, Arial, sans-serif, 'Apple Color Emoji', 'Segoe UI Emoji'; font-size: 16px; font-style: normal; font-variant-ligatures: normal; font-variant-caps: normal; font-weight: 400; letter-spacing: normal; orphans: 2; text-align: start; text-indent: 0px; text-transform: none; widows: 2; word-spacing: 0px; -webki…
subject: Translation strategies
  topic: section
subject: Film adaptation
  topic: keywords
subject: Children’s literature
  topic: keywords
subject: (Re)interpretation
  topic: keywords
subject: The Little Prince
  topic: keywords
subject: Mark Osborne
  topic: keywords
creator: Anton Zazuleac
rights: Copyright (c) 2024 Editura Universității „Ștefan cel Mare” din Suceava https://creativecommons.org/licenses/by/4.0
date: 2024-05-31
publication date: 2024-05-31